Ramadan drama in Sudan stirs stalemate and breaks the barrier of fear and silence


Ramadan drama When searching for information about Sudanese Ramadan series, we find that it has witnessed great activity during the past few months, thanks to the production of many new dramas that dealt with controversial societal issues in Sudan.

After the drama sector in Sudan was suffering for years from restrictions and challenges, it now seems that it is living in a new vital period, as many new series are being produced that are well received by the audience, and are characterized by quality and creativity.

Among these new Ramadan dramas, which are receiving wide interest in Sudan, is the series “Sekkat Diyaa”, which was shown during the last Ramadan season, and which discussed many important societal issues that Sudanese society suffers from.

The reason for this vital state of Sudanese drama in Ramadan is due to the production of more new works that raise new and controversial societal issues, in addition to improving the quality of production, filming and directing techniques.

It is worth noting that the drama sector in Sudan has been suffering for years from various restrictions and challenges, which led to a decline in the quality of productions and a decrease in interest in them, but with the entry of the first day of the month of Ramadan, more new dramas that carry important societal messages are being produced, With creativity and quality.

An appetizer through Ramadan drama in Sudan

The Sudanese drama in the current month of Ramadan is considered a moral boost to the followers, as several drama series were shown with various titles, such as the series “Daroub Al-Awda”, “Banana Peel”, “Ibrahim’s Children”, “Al-Sitat” and other dramas that are witnessing great interest from producers.

Followers of Sudanese drama believe that this interest came as a result of the success of the series “Sikt Diyaa”, which was shown last year and achieved great success, which prompted producers to present new works and update the quality of dramatic production in Sudan.

Over the past years, Sudanese drama has faced many challenges and problems, such as the state’s failure to rely on it as an effective means to discuss society’s issues and address its imbalances, which has led to a decline in dramatic production and the transformation of some dramas into short comedies.

However, the showing of a large number of dramas in the current month of Ramadan is considered a positive sign of the development of Sudanese drama, the improvement of the quality of production, and the increase in interest in social, cultural and historical issues of interest to Sudanese society.

A tool for change and criticism in this holy month

Art critic and researcher Al-Zubair Saeed points out that drama in Sudan faced several obstacles and challenges, including the neglect of the various governments and regimes and lack of faith in its role. Said stresses the importance of state support for drama, given that it contributes to solving many social issues in society.

Saeed adds that the current competition in Sudanese drama comes within the framework of an attempt to exploit the high viewing opportunities provided by the holy month by producing new dramas, as is happening in other countries. Saeed hopes that the future will witness a development in the drama industry in Sudan, and that dramatists will be able to present high-quality dramas with meaningful and interesting content.

Systematic destruction of the Sudanese people

The Federal Ministry of Culture in Sudan adopts a point of view that differs from the previous art critic, as it believes that the difficulties experienced by Sudanese drama are the result of policies aimed at destroying this sector.

Abdullah Hassab al-Rasoul, director of the Ministry’s General Department of Performing Arts, believes that the government has neglected this sector over the past three decades, and that support and funding has been limited to specific people or directed dramas only. In addition, the competent authorities set impossible conditions for producers, which led to the decline of this sector in Sudan.

Alternative platforms for fear of the Sudanese people

Drama in Sudan suffers from many challenges, most notably the fear of financial losses due to the decline in sponsorships and advertisements in light of the difficult economic conditions. Because most TV channels in the country are reluctant to support the production of dramas, many producers have resorted to using social networking sites to showcase their work.

On the other hand, some businessmen show a desire to finance dramas in order to achieve other benefits. Jalal Hamed, a businessman, indicates that he sticks to financing the drama despite the weak financial return, because of the other benefits that these works can bring.

The challenge of persuasion and financing

Drama in Sudan faces many challenges, as this includes the decline in sponsorships and advertisements as a result of the current economic conditions, and the television channels operating in the country are few and cannot support the production of dramas, which prompted producers to resort to digital platforms for financing.

Despite these obstacles, some businessmen wish to finance dramas in various forms, as they consider that these works carry other non-material benefits. While Sudanese drama faces competition from Arab dramas, it must convince the audience of the roles and contents of Sudanese dramas.

Despite this, the Sudanese audience suffers from a lack of conviction in the Sudanese actor and the dramatic work he performs, as some of them prefer to watch Arab dramas due to the quality of production and content. However, there are Sudanese dramas that are worth watching, that are concerned with social and realistic issues, and that use art in a discreet manner.

In light of the spread of digital broadcasting, the public’s interest in comedies, produced by small companies, has increased, and focuses only on making viewers laugh, without addressing important social issues. However, some new dramas appear that deal in a sober artistic way with some social and realistic issues, and find great interest.

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